COLLECT
JEFF KOONS
Ballon Dog (Red), 1995
© Jeff Koons
ARTWORK DESCRIPTION
JEFF KOONS
Balloon Dog (Red), 1995
Metallized porcelain
Edition of 2300
Diameter: 26.7 x 26.7 x 12.7 cm (10 1/2 x 10 1/2 x 5 inches)
Signed and numbered by Koons on the back
Published by the Museum of Contemporary Art (MoCA), Los Angeles
In excellent condition
CHF 7’500
• Provenance: Gifted by the studio to renowned Swiss art collector and influential businessman
• Condition Report: Overall in excellent condition. Minor loss of pigmentation with age. No original box. The stand was not part of the original release and can be purchased separately. No CoA as it was not part of the original release
CULTURAL IMPORTANCE + IMPACT
JEFF KOONS'S FIRST LIMITED ART EDITION
BALLOON DOG (RED), 1995
The very first limited edition Jeff Koons created of his iconic Balloon Dog is the 1995 "Balloon Dog (Red)". Published by MOCA Editions, Los Angeles.
Jeff Koons' "Balloon Dog" is one of his most iconic and recognizable sculptures. Part of his "Celebration" series. The Balloon Dog sculptures are inspired by balloon animals, a popular and simple form of entertainment often associated with celebrations and parties. Despite their whimsical appearance, creating these sculptures involves complex techniques and craftsmanship.
The Balloon Dog remains a symbol of Koons' distinctive style and his ability to blur the lines between high and low culture in contemporary art.
The Balloon Dog (Red), 1995
Jeff Koons twisting a balloon into a "Balloon Dog" during MasterClass
The back of the edition, signed and numbered
Jeff Koons collaborated with Jay Z for his 2017 "Jay Z - 4:44 Festival Tour" by creating a large-scale inflatable Balloon Dog as the stage artwork. Photo: Sam Neill
Jeff Koons in his studio, 1997. Credits: Ellen Von Unwerth/Art+Commerce
A cultural icon, the Balloon Dog was the subject of an NFT by Beeple. At "The Tonight Show by Jimmy Fallon", Nov. 2021
"It's a very optimistic piece, it's a balloon that a clown would maybe twist for you at a birthday party. But at the same time it's a Trojan horse. There are other things here that are inside: maybe the sexuality of the piece.”
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